Friday, October 28, 2011
Yeah, yeah, yeah, book review—but first
let’s talk about
ME, ME, ME!
A link was surreptitiously dropped into the last posting here at The United Provinces of Ivanlandia, during the Dr. Phibes Quiz (hint: “groinal units”), but further explanation is due:
Director and new dad (congratz!) Josh Litwhiler cast me in the electronic press kit (EPK) for the Massachusetts-based band Township—
I play the host/professor of a community college cable access show, and if my perf deserves any praise, equal measure should be doled out to Mr. Litwhiler for being such a fine director and editing the footage to make me look good—not to mention my being in a video with a band that rocks.
Nice tunes and a damn fine concept brought to fruition—CHECK IT OUT!
And now, some more about
ME, ME, ME!
Some of you may be aware of my tenure as an executive editor for the notorious porn rag SCREW magazine in the late-1990s—
Both I and Chip Maloney—
who was my successor at SCREW after yours truly split for a gig with the military-industrial complex—
were recently interviewed on the internet-based “radio” program The Mike & Judy Show
concerning our tenures at The World’s Greatest Newspaper—and a righteous and riotous time was had by all!
GIVE IT A LISTEN HERE!
Some background and disclosure:
The Mike & Judy Show is/are my friends Mike Edison and Judy McGuire—both writers par excel-lance!—with McGuire the scribe behind the sick and humorous book How Not to Date—and why isn't this on your bookshelf yet?--
And on the show, Mike was “interviewing” Chip and me as promotion for his soon to be published book,
Dirty! Dirty! Dirty!: of Playboys, Pigs, and Penthouse Paupers—AN AMERICAN TALE OF SEX AND WONDER
It’s the history of the modern men’s magazines—put into a marvelous context, focusing on The Big Four: Hefner, Guccione, Flynt and Al Goldstein, the former publisher of SCREW—
and my ex-boss.
Dirty! Dirty! Dirty! is a must-read for anyone interested in pornography, the counter-culture, publishing, politics, exploitation, Americana, success, humor and self-destructive behavior leading to utter, absolute and disgraceful failure.
It is the follow-up to author Edison’s mad cyclotron of a memoir, I Have Fun Wherever I Go, and as all over the place as that book was, Dirty! Dirty! Dirty! is laser-focused. Sometimes I was amazed at how much Edison crams in—without making it seem too overloaded.
Edison’s got the shimmy-shimmy-ko-ko-pop to keep things lively and intellectually stimulating—without ever falling into the pseudo-academic distancing that tourists to the Land of Porn use when dealing with the Jizz Biz (David Foster Wallace, I’m looking at you!).
A damn fine historian, Edison has taken a healthy step back—the squack racket don’t put stars in his eyes, nosiree.
And he’s wise in pointing out that Helen Gurley Brown’s Sex & the Single Girl as well as Betty Friedan’s work “helped” the Sexual Revolution more than anything that closet case Hef ever did.
Meanwhile, Larry Flynt’s empire is still a potent force because The Man With The Golden Wheelchair is a businessman first and foremost.
Not to knock the initial business acumen of Hef, Goldstein and Guccione—but after a certain point in their careers, these three publishers had insulated themselves from genuine reality a wee bit too much—
and they began making very bad financial decisions.
This book is the right combination of voluminous research, respectful disrespect, insider insight and zing-bang-boom-rat-a-tat style—and makes for a fitting, if eventually sad epitaph for “The Golden Age of Magazine Porn.”
And after reading Dirty! Dirty! Dirty!, I no longer
Al Goldstein. I just hate him.
Super-mega-full disclosure: I’m in Dirty! Dirty! Dirty! Only my first name (and just mentioned twice), but still, it’s me! ME!
ME! ME! ME!
That said, Edison’s book is spot on.
Until you buy yourself your copy, grab your 3-D glasses and check out the trailer for Dirty! Dirty! Dirty!, produced by Tricia McLaughlin, my awesome and lovely missus! Yee-ha!
The Real Deal Post #199 (and other mysteries solved)
Baron Otto von Mannix took time out of his busy schedule of strafing the French countryside from his armored zeppelin to point out that we of the High Command in the Imperial Palace were wrong!
It seems that what I thought was the 200th post was actually the 197th post. Which means that right now you’re reading the 199th post of The United Provinces of Ivanlandia. So the NEXT post will be the special second—but really the first—200th anniversary posting.
Sunday, October 23, 2011
The mighty, mighty Dennis Cozzalio of the infinitely awesome—but far too infrequent—Sergio Leone and the Infield Fly Rule has sprung another of his patented magical mystery movie quizzes—this one inspired by the Fab Vinny the P.’s 100th movie, The Abominable Dr. Phibes—
DR. ANTON PHIBES’ ABOMINABLY ERUDITE, MUSICALLY MALIGNANT, CURSEDLY CLEVER HALLOWEEN HORROR MOVIE QUIZ
And The United Provinces of Ivanlandia has taken the bait!
(Don’t worry, faithful followers, we’ve done this before)
(And NO, we never did find out what happened to Konan the Vegetarian!)
[Meanwhile, not even Dr. Phibes Clockwork Wizards will make me read anybody else’s answers till I’ve completed mine!]
[BTW: Photos are not necessarily genuine representations of films under discussion, but establishers of mood. 10-Q.]
Gentlemen, start your engines!
Favorite Vincent Price/American International Pictures release.
AIP released The Conqueror Worm, but did it produce Witchfinder General?
I’m also a big fan of Price’s turn as the murderous drunken, poverty-stricken undertaker in The Comedy of Terrors.
And while it’s mack-daddy Peter Lorre who steals the show in Corman/Matheson’s Poe-spoof The Raven, Price gives one of my favorite reaction shots in cinema in that flick:
Early in the film,
he’s heading down through subbasements to the crypt, with a raven perched on his upheld arm, when a prop skeleton hanging nearby suddenly falls—
It’s probably a mistake, but cheapskate Corman kept it in—besides,
Price’s reaction, as the skeleton clattered and the startled raven freaks out, is CLASSIC double take hysterics: hair flips, “what the hell” expression, the near-ubiquity of genuine offense being taken—
This pure shock of SOMETHING REAL in the most artificial of presentations—
an obvious film set that lets you know that these are sets that have been used in films before—meta-cinema meltdown.
(In praise of Price, continued: Let us not forget his stellar work with that exploitation goliath William Castle! My fave? The Tingler, especially the scene where Price injects himself full of LSD-25 and has the first cinematic acid trip! Scream for your life, indeed!)
What horror classic (or non-classic) that has not yet been remade would you like to see upgraded for modern audiences?
If you must do a remake, go for
Peter Lorre’s incredible Mad Love (1935), with Paul Giamatti in Lorre’s role; with Steve Buscemi as Colin Clive, and Philip Seymore Hoffman as the wiseguy reporter—and let them overact WILDLY. (Get John Waters to direct? Have him amp up the madness and give zing to the dialog.)
If you really want to keep with one of Mad Love’s themes, a supermodel should be cast as the female love interest—y’know, ’cause she’s gonna be just standing there mainly anyway.
Just rent the film and marvel at the moody weirdness.
I’d love to see a splatterpunk version of 1977’s The Car—
I mean more gore, more realistic gore, really show what Satan’s Supersonic Cadillac can do to a human body!
Vroom! Crunch! Splat! Aaargh!
3) Jonathan Frid or Thayer David?
Thayer David, for such an extensive body of work, including Mr. Dragon, the ex-Nazi albino espionage expert from The Eiger Sanction.
4) Name the one horror movie you need to see that has so far eluded you.
I hate to admit that my knowledge is far from encyclopedic—Jeez, I don’t think I’ve ever even seen a Jess Franco flick, or any Italian horror beyond the Bava-Argento-Fulci trinity—
But one flick that I’ve been meaning to catch, and since it’s finally been released some friends have copies and have even invited me over to watch it, but something always keeps me from seeing These Are the Damned.
I’ve known about the flick for years, either from the writings of John Brosnan or Philip Strick—or The Monster Times (the BEST friend a preadolescent monster fan could want)—but it hasn’t been available until recently.
With the exception of The Servant, most of director Joseph Losey’s films have been snoozers, so I don’t feel like rushing it—but this great post at the always awesome Monster Movie Music has piqued my interest in These Are the Damned again.
But a flick I’ve been DYING to find is a French short stop-motion animation film from 1968, titled
What I remember is: a couple of aliens arrive in a flying saucer—but it’s the size of a makeup compact, and they have landed on a table at a restaurant after a meal has been finished.
The aliens, looking like cute robo-bug-lizards, wander the apocalyptian wreckage of earth’s civilization, or so they think.
Half-empty wine flutes are scanned and thought to be sources of energy, a fly is mistaken for an atomic mutation and is zapped with ray guns; the bones of the fish dinner are regarded in awe…and horror.
A waiter shows up, and the saucer dudes have to make a getaway.
I first—and only—caught it on Chuck Jones’ wonderful Curiosity Shop (which will NEVER be on DVD because of various licensing issues)—probably around 1971 or 1972.
Philip Strick has mentioned "Certain Prophecies" in his collection of essays Science Fiction Films but I haven’t seen it mentioned anywhere else--ever.
Do YOU know something? Let me know.
There are also flicks I saw once, a long time ago, usually on some local TV channel, that I’ve never been able to see again—many of which I don’t remember the names of—but some are
The Crawling Eye, Island of Terror, and I’m dying to see The Beginning of the End again: grasshoppers vs. cardboard cutouts! (see question #18)
5) Favorite film director most closely associated with the horror genre.
John Carpenter—LOVE his Apocalypse Trilogy!
(followed by that master trickster, Brian De Palma)
6) Ingrid Pitt or Barbara Steele?
7) Favorite 50’s sci-fi/horror creature.
Go go Godzilla!
8) Favorite/best sequel to an established horror classic.
The Bride of Frankenstein, of course.
But I have a special place in my heart for Larry Cohen’s Island of the Alive, the third of his mutant babies flicks, and the one that expands on the critters and their lives.
Several killer babies get exiled to a deserted island and grow into huge beasts—just add one of Michael Moriarty’s goofiest performances—and you get magic!
9) Name a sequel in a horror series which clearly signaled that the once-vital franchise had run out of gas.
Abbott & Costello Meet Frankenstein
10) John Carradine or Lon Chaney Jr.?
Carradine was the better actor, but I have no memory of him bringing pathos to ANY of his horror perfs, unlike Chaney Jr., who brought deep melancholia to his roles.
11) What was the last horror movie you saw in a theater? On DVD or Blu-ray?
Theater: Insidious (2011)—which kicked ass!
DVD: Mario Bava’s Kill, Baby… Kill! (1966)
Streaming: Paul Morrissey’s Blood for Dracula (1974)
12) Best foreign-language fiend/monster.
13) Favorite Mario Bava movie.
Black Sunday, natch—
14) Favorite horror actor and actress.
Martine Beswick (in Dr. Jekyll & Sister Hyde)
15) Name a great horror director’s least effective movie.
John Carpenter’s Village of the Damned
16) Grayson Hall or Joan Bennett?
What’s with the Dark Shadows obsession? For some of us, it never aired in our particular region. Besides, isn’t this post supposed to be centered on Dr. Phibes? Stop mixing metaphors!
17) When did you realize that you were a fan of the horror genre? And if you’re not, when did you realize you weren’t?
I grew up on horror (and sci-fi and fantasy and weirdness in general)—my stepdad was a fan—
and horror movies were playing in the house before I could think rationally.
18) Favorite Bert I. Gordon (B.I.G.) movie.
The Mad Bomber
The Beginning of the End
War of the Colossal Beast
19) Name an obscure horror favorite that you wish more people knew about.
Filipino horror movies in general (Go see The Twilight People! Pam Grier’s in it!)
And here are 20 horror movies that I think more people need to know about (in no particular order):
The Horrors of Malformed Men
The Todd Killings
The Hellstrom Chronicle
Let Sleeping Corpses Lie
Tales From the Hood
Five Million Years to Earth
Alien Abduction: Incident in Lake County (1998) Unseen since it was first broadcast, this “found footage” pseudo-documentary scared the CRAP outta me back in the day.
The Brain That Wouldn’t Die
Yokai Monsters: Spook Warfare (1968)
Burn Witch Burn!
The Flesh Eaters
The Possession of Joel Delaney
The Call of Cthulhu (2005)
The Amazing Screw-On Head (2006) (horror-comedy animated short from Mike “Hellboy” Mignola—totally brilliant)
The Night Stalker—Dan Curtis’ TV movie, scripted by horror grandmaster Richard Matheson, was the most watched TV movie in history when it aired—it was also the first time that the vampire was brought to a contemporary US city: Las Vegas.
The flick inspired a sequel, and the short-lived TV series, where hardboiled, proto-gonzo journalist Carl Kolchak (played by Darrin McGavin, a god!) tangles with the supernatural weekly. I think a lot of people have heard about the show, but haven’t seen it—the must-see episode, “The Horror in the Heights” was written by Hammer Horror vet Jimmy Sangster.
That said, I’m including The Night Stalker on this list because it’s a damn fine horror movie that I think people have forgotten about—mainly because it was overshadowed by the TV show.
And Dan Curtis created Dark Shadows—thus tying us back in to Dennis C.’s sick obsessions.
20) The Human Centipede-- yes or no?
I haven’t seen it, and probably won’t—I hear it’s pretty bad—not the gross stuff, just that it’s stupid and dull.
21) And while we’re in the neighborhood, is there a horror film you can think of that you felt “went too far”?
Since I’m a gorehound, going too far is never about blood & guts, but rather themes:
as such, Frank Darabont really screwed the pooch with the ending of The Mist.
Darabont “tweaked” Stephen King’s original ending, and made it into a sick, awful joke that leaves a bad taste in the mouth, and defies logic as well.
Meanwhile, Mario Bava’s Rabid Dogs (while technically it’s not a horror flick, it was directed by Bava!) is a flick SO mean and nasty that I still haven’t been able to finish watching it.
22) Name a film that is technically outside the horror genre that you might still feel comfortable describing as a horror film.
The Power of Nightmares
The Todd Killings
Night of the Hunter
High Plains Drifter
Orson Welles’ Macbeth
23) Lara Parker or Kathryn Leigh Scott?
Kathryn Leigh Scott, because she was on Space: 1999.
Now knock off the Dark Shadows stuff!
24) If you’re a horror fan, at some point in your past your dad, grandmother, teacher or some other disgusted figure of authority probably wagged her/his finger at you and said, “Why do you insist on reading/watching all this morbid monster/horror junk?” How did you reply? And if that reply fell short somehow, how would you have liked to have replied?
This never happened; I was a feral child with few social skills dropped off at the movies routinely from the age of seven, until I turned nine, when, after bugging mom to take me to the movie theater, she gave me some money and told me to take the bus. Nine!
25) Name the critic or Web site you most enjoy reading on the subject of the horror genre.
26) Most frightening image you’ve ever taken away from a horror movie.
Honestly, it’s when the acid-blood splattered the front of Hicks’ armor in Aliens, and he’s freaking out and shrieking “Get it off me! Get it off me!” as the armor is melting into hot slag that’s dripping onto his flesh! Ow-ow-ow-ow!
That scene gets me every time I see it (perhaps due to personal phobias: bad plastic burns on my arm when I was a kid).
27) Your favorite memory associated with watching a horror movie.
Seeing Romero’s Dawn of the Dead when it first came out in 1978—I was either 12 or 13—and the flick so freaked me out, I began laughing uncontrollably, SHRIEKING
(like Vik in Steve Erickson’s Zeroville, when he sees The Exorcist for the first time).
It was like I’d been given some deranged nitrous oxide and LSD cocktail.
28) What would you say is the most important/significant horror movie of the past 20 years (1992-2012)? Why?
Scream brought us self-referential snark (which I hate); The Blair Witch Project popularized “fake found footage” (which I like) and gore made a comeback, like it’s supposed to.
And as such, I want to give a big shout-out to Hostel 2, for its ferocious raw meat look at capitalism: I love that the girl survives because she’s rich—it’s a blatant, heavy-handed message, but in an insane flick with so much bloodletting? Why not.
29) Favorite Dr. Phibes curse (from either film).
From Phibes the First:
The vampire-bat shred is super-creepy, thanks to close-ups of vampire bats, and the green goop on the face, followed by locusts has a certain amount of groinal units,
but it’s the frog-mask murder that rules: it can stand alone as a gruesome little short film.
(BTW, has anybody ever noticed that Fincher’s Seven is essentially a humorless cop-centric remake of The Abominable Dr. Phibes? Uh-huh, that’s right.)
(Additional BTW: I feel Dr. Phibes is a psychedelic movie—like Barbarella or Silent Running, it is not necessarily about “Hippies,” or “Acid,”
it’s the zeitgeist allowing its production designer and art directors to run wild—to be phantasmagorical!)
30) You are programming an all-night Halloween horror-thon for your favorite old movie palace. What seven (that’s right, Dennis C., I added two more! Bwah-hah-hah-HAH!) movies make up your schedule?
6pm: The 1970s “I smelllll…children!” Double-Feature—
It’s Alive (1974)
The Brood (1979)
10pm—the Rarity Showcase—
A Cold Night’s Death (1973) Totally forgotten because it’s totally unavailable
Altered (2006) I wasn’t just going to put this on question #19’s list! This is the best, goriest Outer Limits episode never made! Ya gotta see it!
Midnight—New Asia GORE—
I Saw the Devil (2010; Korea)
Dream Home (2010; China—splatteriffic socio-economical satire that is very bloody and sickly funny. With really, really, really disgusting sound effects!)
The New Dawn 6am show—“See the Devil Again!” (with free coffee and doughnuts in the lobby, too!):
The Prophecy (1995; with Christopher Walken, and an awesome cameo by Viggo Mortensen as Lucifer)