Since there was some confusion last week, we’ll start with this week’s mystery film:
So what film is this the 47th minute (that is to say, when the DVD counter read "47:00") to?
Leave your guesses in the comments section; thanks!
As For Last Week’s The 47th Minute Project…
Congratulations to “Tonya” and “Fred” (if those are your real names; The Secret Police of Ivanlandia will be checking up on you…) for their correct guesses: Yes, last week’s 47th Minute Project was The Beatles’ wonderful animated film Yellow Submarine.
A special no-prize to Darius Whiteplume for his great, very educated (albeit wrong) guess of Fantastic Planet, a flick that would be a perfect double feature with Yellow Submarine. Both are trippy, with visual styles that are distinctly un-Hollywood, more influenced by Germany and Eastern Europe graphic styles closer to Švankmajer than Disney.
Darius is the creator of a multitude of blogs, but I particularly like Adventures In Nerdliness, Sublime Depravity and Dirty & Nerdy.
Yellow Submarine in a flick I’ve loved since I was a kid. It was aired quite frequently on Metromedia Channel 5 (now a Fox affiliate) in NYC back in the day.
But after a recent viewing, I noticed (and I was surprised I missed this before) that despite Yellow Submarine’s message of love & peace, the flick’s structure is that of a war movie—specifically the “secret mission/behind enemy lines” subgenre that includes The Dirty Dozen, The Lord of the Rings films, The Secret Invasion (although it beat Dirty Dozen into the theaters with the “convicts on war-time suicide mission” plot, The Secret Invasion is a terrible movie that I only mention because of its very cool poster [below]), Guns of Navarone, Saving Private Ryan and even parts of John Wayne’s The Green Berets: Our heroes sneak into hostile territory to, well, you get the idea.
(And if you’ve read this far, I’ve just given you another hint as to the identity of this week’s entry into The 47th Minute Project.)
But it’s a smart movie for the Yellow Submarine creative team to use a simple plot that audiences would be familiar with—The visuals have the potential of overwhelming the uninitiated, so you gotta throw the audience a bone…
With a conventional structure, directors and designer George Dunning, John Coates and Heinz Edelmann could go bonkers in other ways. And they did. Whew, they sure did…
Which ties in with something I once heard about the Beatles: Either George Martin or Brian Epstein told the Fab Four that if you really want to be successful, pay attention to both what the mainstream is into as well as what the avant-garde (for lack of a better word) is doing. Then try and find the middle.
It’s a line that’s always changing, of course, something few people keep in mind. I think it’s a formula that David Bowie has used well. Maybe Radiohead, but time will tell. Others, like David Byrne, not so well. I think it certainly worked for The Beatles.
[I’ll be on a diplomatic mission to Chicagolandia next week, and therefore the next 47th Minute Project may be postponed. It’ll just given you more time to make an educated guess. Just don’t make me scream, “You’re late!” (final hint)]