Showing posts with label gore. Show all posts
Showing posts with label gore. Show all posts

Tuesday, May 10, 2011

The Angry Rail-Riding Homeless Gentleman With a Pump-Action Long-Barreled Firearm





Hobo With a Shotgun (2011)

Short version: If you grew up with 1980s VHS action-gore-trash, you’ll love Hobo With a Shotgun.
I would have preferred a more straightforward gritty semi-realistic 1970s vibe, though.

Hobo owes SO MUCH to Street Trash—the flick’s pretty bad in an intentionally campy way—but not as smart or deranged as its many influences. It’s clever, I get it—and seeing extreme splatter on the big screen is always fun—but Hobo just didn’t quite click for me.

Hobo With a Shotgun (great frickin’ title, though—and wicked cool font; see below) was a spoof of a certain type of 1980s action-slash-horror movie—it looked a lot like a Nick Zedd film actually—And I had a lot of problems with all its very obvious influences: the aforementioned Street Trash, early Sam Raimi, Asian gore flicks like The Story of Ricky, and so on.

And I am getting a little sick of tribute/mash-ups/homages—I have seen enough where it really needs to grab me, to be more than just a reference—it needs to be worked into context. (Or else be really funny or smart.)
Honestly, though, right now I cannot think of a counter-example.




But Rutger Hauer, the coolest white man EVER, was great—every second he was on screen was riveting—really!
(And I did enjoy that one of the bad guys was named “Ivan”….)

While I have already criticized the film’s script, I will say that all of the Hobo’s dialog is classic: angry Zen retard brilliance. Highly quotable.

Overall, I think if I’d seen Hobo With a Shotgun at home, with a six-pack or other intoxicants, I would have enjoyed it much more. But the $13 ticket cost and the $6.50 for a small popcorn (WTF?!?! I really should’ve said “no”—but I was hongry…) made me watch this movie with a shotgun-toting-hobo-sized chip on my shoulder.



Thursday, August 13, 2009

BLEED FOR ME!!!




Some people don’t like to go to the doctor, even for a routine check-up. Perhaps they are expecting bad news, or have some childhood-related phobia, or just feel that the often-godlike status that is bestowed upon medical doctors is just a bit too much and that maybe these children of caduceus are even less infallible than we think.

Going to the doctor is not something that bothers me, though – honest!
And if I actually had veins that could be tapped and drained – just a little, mind you, just enough for a routine blood test, about one standard test tube’s worth – I would never be hesitant to visit the old sawbones.



But like my mother and maternal grandmother, herself a former nurse, as well as one of my colleagues at work (and perhaps millions of others worldwide), I have veins that are nearly impossible to find.


Usually the nurses – yes, plural, because after the first nurse tries, she has to call in her supervisor, and then often she has to call in the office vein specialist – try a couple of times poking around in the crook of my arm, then give up and turn to backs of my hands.
Yes, plural, because the veins on the back of my hand may be seen by the naked eye, but they sure can hide when the needle comes around.




And it is from the back of my hands, via a butterfly needle, where about 99% of my blood gets drawn - and boy! Does it sting. No lie.



For a while - a paradisiacal time I tell you - my doctor had nurse that never failed: she was so good, she’d only have to poke me maybe twice to get that test tube’s worth of my internal cherry juice. Of course, she was so good, she got a better job elsewhere. Instead of sticking with my physician for over 15 years, I should have followed her.


The needle and no damage done

This week I visited the doctor, and my veins finally beat his team. After four tries and as many nurses, they gave up, telling me to try the lab techs at the diagnostics lab.
Not that I hold this against them.
The bruises on my arm tell me their efforts were honest.




The Missus says I’m going to wind up with track marks. “Yeah,” I grumble, “without at least the sometime pleasurable benefits of becoming addicted to intravenously introduced diamorphine hydrochloride. Woo-hoo.”

So why don’t they use those big veins on the inside of my wrists? They never seem to disappear. A nurse once told me that they were supposed to keep those veins untouched until there was a traumatic accident, like a car wreck: that if they used those veins for mundane blood tests, they might toughen up too much to be of use to emergency personnel.

You watch the various CSI programs on TV, where they can determine a person’s entire genetic history from a toenail clipping, and you remember that when you were a kid, the doc would use one of those small silvery rectangles with a sharp trianglular blade at the end, tap your finger, blood would ooze out and they’d collect all they needed in a thin glass pipette – and you ask yourself, so how come they need a whole test tube now?!?


If 40% of the of my day-job has this condition, why isn’t there a name for it? Under my completely autocratic control of absolutely nothing, I’ve decided to call this condition, “Hidden Vein Syndrome” – not that it’s really a “syndrome,” it’s just that “syndrome” sounds so darn cool! Even its acronym, HVS, is snappy!

But why has HVS been ignored so far? Y’know what? I need to get me some of that stimulus money the government has been throwing around and do some more research on this….


But there is hope for me yet: Memphis, Tennessee-based Luminetx developed the VeinViewer in 2005. The device uses infrared light to project a real-time image of underlying veins directly onto a donor's skin and is reported to be a great boon to phlebotomists and nurses. Unfortunately, each unit costs about $28,000, and right now I think I’m the only one of my doctor’s patients with this problem.

Wednesday, February 4, 2009

Jason Etc., or: This whole post is basically a SPOILER so watch out if that means anything to you. Oh yeah, there are some gnarly screengrabs, too…


Today's movies are:
Jason X (2001)
Mirrors (2008)
Geoul sokeuro (Into the Mirror) (2003)




I should be embarrassed to admit that I still haven’t seen the original Friday the 13th. I’ve got it lined up on my Netflix queue, and do intend to watch the DVD eventually, but after I missed its initial theatrical run in 1980, I never managed to catch up with it on VHS.

There’s a new Friday the 13th movie (Retcon? Retrofit? Reimaging?) being released on January 13 (Friday, of course), but I’m not really interested in seeing it as of now. I liked the remakes of The Hills Have Eyes and especially the first 20 minutes of the new Dawn of the Dead, but most remakes I ignore because they seem really poorly made, latching onto a “brand” title for lack of anything else.

If the reports on the new Friday the 13th are good, and if my friend PK twists my arm, I might catch it, but we’ll see. I’ve yet to see any of the Texas Chainsaw Massacre re-whatevers, and don’t intend to, and the ads for the new Friday the 13th routinely tout that it's from the people who brought you the new Texas Chainsaw Mass-ak-reez.

However, I have seen other Friday the 13th movies, like 3-D (that eye! Hoo-ha!) and the one that pretended that Toronto was Manhattan.

But I really enjoyed Jason X; it was nuts. A logical progression of sorts, bolting the Jason mythos onto an Alien rip-off. For me, Jason X felt a lot like a 1980s New World picture that had somehow gotten hold of a genius special-effects man nanoseconds before he broke out big.

The highly recommended blogsite Dinner With Max Jenke (run by Jeff Allard) is running a Crystal Lake Countdown in anticipation of the new Friday the 13th’s opening, and Tuesday’s entry was all about Jason X.







Allard's article is a good read, an in-depth look as well as a unique perspective, especially his “specialized action figures” comments.

I hope Mr. Allard doesn’t mind me linking to him—it gives me the opportunity to run a bunch of gross stills that have been cluttering up my poor, overburdened computer.

The liquid nitrogen murder gracing today’s post is gnarly stuff, and as Dinner With Max Jenke points out, definitely Jason X’s highlight.

But Mr. Allard, were you as disappointed as I that the “sucked through the grate in to space” death wasn’t gorier? Heck, even Saturn 3 had a more disgusting “splattered before being sucked into space” scene.

It’s too bad the liquid nitrogen murder came so early in the flick; the rest of the movie has a hard time competing. Sort of like Alexandre Aja’s semi-recent Mirrors.

Mirrors starts off well, then around the halfway mark, it burdens itself with the need to explain why these demonic mirrors are causing all sorts of gruesome mayhem. At that point, the flick gets bogged down with an overly complicated back-story when it should be roaring into overdrive.

This movie would have been better sparing us any overt explanations, and just giving us a few more gory set-pieces, like Amy Smart’s upsetting and grueling murder/suicide. Mirrors was a big disappointment from Aja; not that High Tension or his Hills Have Eyes were brilliant, but deliver the goods they did: Lots of FUBAR ultraviolent fun with enough smarts to keep things moving in an interesting manner.

But don’t think the Korean movie that Mirrors is based on, Geoul sokeuro (Into the Mirror), is some great piece of work, either. It’s actually kind of candy-ass, with inexplicable spirits that don’t seem to do much, and a dullard as the lead.

But Max Jenke! How could you forget to mention David Cronenberg’s inexplicable cameo in Jason X? He’s prominently featured in the trailer!




...and a tiny David Cronenberg's profile from Jason X! So distinguished. Dignity, always dignity!


UPDATE: Goshes! I can't believe I forgot to mention this: The absolute kicker to the liquid nitrogen murder is just how thoughtlessly Jason just dumps poor Kristi Angus' dead and smashed body. It's like she's less than disposable. Creeeeeeeeepy. (added Feb. 5, 2009)